Staff
Sunder Ganglani
Artistic Director
Sunder Ganglani
Artistic Director

Sunder Ganglani is an artist who works in collaboration between forms: music, theater, civil disobedience, pedagogy, performance. As a former Co-Artistic Director of The Foundry Theater in New York City his works with W. David Hancock, Ariana Reines, Claudia Rankine, David Greenspan, Melanie Joseph and many others have toured nationally and internationally, and won all kinds of awards. More recently his work has focused on music and justice – as a dramaturg he’s made operas and new experiments in music with Esperanza Spalding, Helga Davis, Charlotte Brathwaite, Justin Hicks, and Darius Jones. As a musician, composer, and organizer he’s grateful to have a creative home with The Stop Shopping Choir community in New York City where he works with Billy Talen, Savitri D, and the 45 member choir as chosen family. He’s received grants, fellowships and been awarded residencies, he studied Anthropology at UMass Amherst, Dramaturgy at Yale, and he was raised in Salem, Massachusetts by parents from opposite ends of the earth, and a sister and brother.
Drew Kelly
Creative Producer
Drew Kelly
Creative Producer

Drew Kelly is a multidisciplinary theatre artist and graduate student pursuing an MFA/MBA in Theatre Management at California State University, Long Beach. With over 20 years of professional experience as a performer and educator, Drew brings a unique blend of artistry, leadership, and strategic thinking to every project. His work explores the intersections of performance and creative leadership across live entertainment, theme parks, education, and community-based theater. Passionate about building collaborative spaces that unlock the creative potential of all participants, Drew is currently expanding his portfolio as a show writer, creative consultant, and future arts entrepreneur.
Lu Valero
Administrative and Communications Associate
Lu Valero
Administrative and Communications Associate

Lu Valero (she/her) is an interdisciplinary artist from Mexico City, based in Los Angeles. She graduated in 2022 from UC Irvine with a Bachelor of Arts with Honors in Drama. A visual storyteller and creator with credits in performing arts, photography, graphic design, and more. She started working with Cornerstone Theater Company in 2022 as a Development and Communications intern, transitioning into an administrative associate position later that year. She recently joined the Cornerstone Ensemble and is thrilled to continue her history with the Company. Outside of Cornerstone, she is a Drag Artist known as Mal de Ojo performing all across Los Angeles.
Megan Wanlass
Managing Director
Megan Wanlass
Managing Director

Megan joined Cornerstone as its Managing Director in January 2014. She led the company through a six-year grant initiative with the James Irvine Foundation’s New California Arts Fund as well as a 5-year Strategic Plan created in partnership with the DeVos Institute. Prior to moving to Los Angeles, Ms. Wanlass was the Executive Director of SITI Company (Anne Bogart, artistic director) for 19 years. At SITI, Megan helped to create over 35 productions touring to 88 cities, 32 states and 19 countries. She has an Arts Administration Certificate from New York University, attended the Executive Program for Non-Profit Leaders at Stanford University Business School and was a member of the Arts Leadership Institute Charter Class at Teachers College, Columbia University. Megan has served on the board of Theatre Communications Group and in 2006-2008 was a mentor through TCG’s New Generations Program. Wanlass participated on Cornerstone’s winning team for the UCLA Social Enterprise Academy (2017) and participated as a speaker at convenings/conferences and as a grant panelist for APAP, NFF, NET, EMCArts, ART/NY, DDCF, and TCG. Recent multi-part anti-racism training includes: Undoing Racism workshop led by the People’s Institute for Survival and Beyond and Building Individual Capacity to Co-Imagine, Co-Create, and Co-Foster an Anti-Racist, Multicultural Organizational Culture, Structure and Model workshop led by Diedra Barber. She holds a B.A. in Theater from Occidental College in Los Angeles.
